"Leave It On The Floor demands to be seen for Frank Gatson, Jr.'s high energy choreography, its fabulous costume designs, and Kimberly Burse's kickass score."
-George Haymont, Huffington Post
"Provocatively costumed drag queens strut the runway in elaborate homemade outfits, competing for bowling trophies, while their butch counterparts compete in "realness" battles, trying to pass as straight schoolboys or executives. The ballroom environment provides as colorful a backdrop as any director could want for a gay love story...alternating fleeting glimpses of fashion, flesh and mad moves by Beyonce choreographer Frank Gatson Jr."
-Peter Debruge, Variety
"Performers bring their mix of swagger and sexual bravado to the catwalk in costumes, makeup and hair that would make Lady Gaga do a double-take."
-Andy Hartman, ThirdCoast Digest
"So if you're a fan of movie musicals, you should definitely check out Leave It On The Floor, which - amidst all the flashy costumes and musical numbers - effectively redefines the meaning of the word "family"."
-Deep Dish
"the set design creatively uses the full space, including the catwalk...Completing the picture of this gothic carnival world is Hunter Wells’ darkly distinctive costume design that has its own surprises as well."
-Musicals in LA
"Stuffed to the brim and beyond with stunning songs, Lovecraftian plot twists and imaginative sets, costumes and staging, this musical is a must-see for any horror fan"
-Maria Olsen, Live in Fear
"Hunter Wells’ costumes are a terrific mix of the flashy and the bizarre."
-Steven Stanley, StageSceneLA
"Director Maureen Huskey fashions the episodic narrative into an impressive modernist package, sharply accentuated by Bryan Maier's sound, Matt Richter's lighting, Hunter Wells' costumes and the videos by Maier and Anthony Puente."
-David C. Nichols, LA Times
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